I am in need of some guidance with socks. I've been an avid sock knitter for two years and am tired of having to patch the holes where the heel meets the instep. I have this problem whether doing a short row or heel flap-type heel. Any suggestions?
this is the first pair of mittens i've made. i made these mittens for myself b/c i have REALLY long fingers and no mittens ever fit me. i had to alter the pattern a bit, but it didn't give me any problems. i'm looking forward to making another pair similar to these, it was loads of fun and kept me entertained for hours at a time.
I'm knitting the sleeves to my sweater. Frankly they have been driving me a bit crazy since this is the 1st sweater I'm knitting that is not in the round. I've ripped more times than I care to admit.
The pattern calls for a M1 increase at each edge starting on the RS then every following 7th row. The "Following 7th row" instruction is a bit vague to me. Which option is correct?
Row 0 (RS): Increase
* row 1 (WS): P
row 2 (RS): K
row 3 (WS): P
row 4 (RS): K
row 5 (WS): P
row 6 (RS): K
row 7 (WS): Increase *
Row 1 (RS): Increase
* row 2 (WS): P
row 3 (RS): K
Technique should be secondary to the final product. What is your conception? What do you, as knitter, want to produce? If I am working on a school sweater for a young, athletic child -- lots of running, playing, and moving involved -- I use durable yarn, lots of acrylic, machine washable and machine dryable, and a design that allows for movement. Usually a knit-in-the-round design, maybe using cut armholes or cut front for a cardigan. For a young woman's formal wear, I might use a tailored design, done flat on two needles and with seams to retain the shape of the sweater. The yarn is usually a fine yarn in luxurious fiber, perhaps cashmere, alpaca, or mohair. It all depends on the use intended for the end product.
Hi Guys & ladylurkers
Been reading the entries on inspiration vs imitation and thinking that most of us seem to agree that it's OK to draw from a pool of common knitting knowledge for basic designs, ideas on decoration, and techniques for accomplishing our knitting. But just when does a design become uniquely one's own? Sometimes hard to say.
While looking at Ulf's Scandinavian sweater, I had the thought that his work was a unique production, indeed. Each of the components of his design had been used before. But the final combination was something that had not been seen before. And a very impressive sweater!
Who taught you how to knit & how old were you?
Have you heard about the work of knitta, please in Montrose, TX? You have to see it to believe it.
Color me inspired! Rock on, sisters.